It was always difficult being Harry Potter and it isn’t much easier now that he is an overworked employee of the Ministry of Magic, a husband and father of three school-age children.
While Harry grapples with a past that refuses to stay where it belongs, his youngest son Albus must struggle with the weight of a family legacy he never wanted. As past and present fuse ominously, both father and son learn the uncomfortable truth: sometimes, darkness comes from unexpected places. (from Goodreads)
I can’t discuss much about this book without spoiling it. I’m going to assume you didn’t read it and you plan to do it, so I’ll stick to generalities and superficial aspects without talking much about what actually happens. considering that there was a lot of secrecy about the plot and all that.
- I’m not into reading scripts, plays or anything that was written to be performed. I wanted to read this, however, because duh, Harry Potter. So one of the better things about it is that is a very straightforward reading, and I read it in just one sitting. One of the bad things about it is, obviously, that lacks of any writing apart from dialogues and few indications of place, time and scenography. I guess this last thing is where one misses the most Rowling’s work.
- I liked what they did with the Malfoys and the relationship between Albus and Scorpius… I was about to write a little about the other characters, but I think I hate everybody else. I never really liked Harry, not even during the books, so that stays the same. Ginny is good as a mother, I guess. They didn’t get Ron. Albus is pure teenage-angst during the entire thing, a lot like Harry in the 5th book. Scorpius was my fave.
- Certain particular new character and it’s backstory is pure bananas and it was predictable and I hate it.
- Mostly, it was a constant state of WTF.
I can’t say I liked it but I can’t either say that I didn’t. It was enjoyable, I guess, in the way fan fiction is enjoyable: it fills a whole, but very loosely.
I hope the play was good.